I rarely write reviews but I have been a fan of Nicki Wells for many years, rowing her boat on Twitter endlessly for the quality of her voice, an instrument that has been best demonstrated in the Indian classical music that she has become known for (particularly in her work with Nitin Sawhney and Kefaya among many others). The stratospheric heights she can reach are startling in that idiom, but the voice has greater flexibility and range than is shown in that work, and on this solo album, we get to hear its unique quality, precision and expression. Ellipsis is a restrained, but very immediate album, with the voice often upfront in the mix, raw and uncompressed, and we even get to hear the guts and moving parts of her piano. Wells is an accomplished musician and melodist too; on 'Carry On', a song about rebirth and overcoming whatever is set before us, her multilayered vocal harmonies burst from the tight mix into an epic choral tapestry created entirely by Wells hersel
When - eventually - the world is declared 'normal' again and there are no lockdowns, enforced social distancing, closures of theatres and coronavirus is largely suppressed by vaccines, the performing arts world will emerge a very different beast.
So, too, will audiences.
It is optimistic to think that audiences will flood back as before, and although a large proportion of them will, I think that the immediate post-pandemic period may be even riskier than the disruption of 2020 itself. COVID was unquestionably a disaster for many companies (and particularly individuals) but I would also wager that many mid to large scale companies will have actually found their finances in decent order this year. The largesse of audiences, a reduction in the spending on work, often panicked, opportunistic staff reductions and the risk elements of audience response removed, the balance sheet will be better for some than it has been for many years. The support of furlough along with the man